Living Life Twice

Teaching writing frequently involves a balancing act between teaching the conventions of grammar and spelling and addressing aspects of craft and meaning. Unfortunately for young writers, many teachers devote disproportionate attention to perfecting the secretarial aspects of writing, much to the detriment of capturing ideas, attention to important details, a sense of audience, risk taking and voice - things that matter when writing.  When spelling correctly is an over-arching consideration, young writers avoid ambitious vocabulary choices. They write –safely. They write less, and they write tentatively for fear of getting it wrong. The writer, perceived as a 'good' speller, may in fact be a 'safe' speller, such is their fear of getting it wrong.  Grainger et al. (2005) claimed teachers frequently send children off to write with the songs of how to fulfil technical aspects of writing ringing in their ears and anything else is sadly swept aside. Any tune the text may p

There is something quite magical in being able to spread the joy of reading great words and what possibilities they spark in the mind of the reader.  It all begins with selecting and sharing powerful texts and simply letting kids enjoy the wonderful words within.   Reading a text for enjoyment before you move to examining craft increases the likelihood of the text impacting on a student’s writing. When the student knows the text, it releases their cognitive energy more specifically to that aspect of the text under examination. Think of mentor texts as a term that essentially means –models, exemplars or examples. ‘Mentor texts’ is not something we do within a writing program for its own sake. It is not an entity in itself. It is an integral part of learning how to become a better writer.  It is an approach requiring an ability to read like a writer. This allows the reader to see the potential in a text to provide them with a writing model worth following or adopting. When we scan the li